Free Frankie and Johnny Race Gender and the Work of African American Folklore in 1930s America
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Originating in a homicide in St. Louis in 1899, the ballad of "Frankie and Johnny" became one of America's most familiar songs during the first half of the twentieth century. It crossed lines of race, class, and artistic genres, taking form in such varied expressions as a folk song performed by Huddie Ledbetter (Lead Belly); a ballet choreographed by Ruth Page and Bentley Stone under New Deal sponsorship; a mural in the Missouri State Capitol by Thomas Hart Benton; a play by John Huston; a motion picture, She Done Him Wrong, that made Mae West a national celebrity; and an anti-lynching poem by Sterling Brown.In this innovative book, Stacy I. Morgan explores why African American folkloreand "Frankie and Johnny" in particularbecame prized source material for artists of diverse political and aesthetic sensibilities. He looks at a confluence of factors, including the Harlem Renaissance, the Great Depression, and resurgent nationalism, that led those creators to engage with this ubiquitous song. Morgan's research uncovers the wide range of work that artists called upon African American folklore to perform in the 1930s, as it alternately reinforced and challenged norms of race, gender, and appropriate subjects for artistic expression. He demonstrates that the folklorists and creative artists of that generation forged a new national culture in which African American folk songs featured centrally not only in folk and popular culture but in the fine arts as well. Frankie and Johnny Race Gender and the Work of African Race Gender and the Work of African American Folklore in 1930s America Frankie and Johnny: Race Gender and the Work of African Buy the Frankie and Johnny: Race Gender and the Work of African American Folklore in 1930s America ebook Frankie and Johnny: Race Gender and the Work of Frankie and Johnny: Race Gender and the Work of African The Hardcover of the Frankie and Johnny: Race Gender and the Work of African American Folklore in 1930s America by upon African American folklore to "He Done Her Wrong": America's Fascination with Frankie America's Fascination with Frankie & Johnny in the 1930s Frankie and Johnny: Race Gender and the Work of African of African American folklore as a Frankie and Johnny: Race Gender and the Work of African Frankie and Johnny: Race Gender and the Work of African American Folklore in 1930s America: $ that artists called upon African American folklore to Frankie and Johnny : Race Gender and the Work of African Frankie and Johnny : Race Gender and the Work of African American Folklore in 1930s America the ballad of "Frankie and Johnny" became one of America's most American Studies American Folklife American Studies Department release of his latest book Frankie and Johnny: Race Gender and the Work of African American Folklore in 1930s America Frankie and Johnny: Race Gender and the Work of African Frankie and Johnny: Race Gender and the Work of African American Folklore in 1930s America Frankie and Johnny: Race Gender and the Work of African American He Done Her Wrong: America's Fascination with Frankie America's Fascination with Frankie & Johnny in the 1930s Frankie and Johnny: Race Gender and the Work of African American Folklore in 1930s America New Book - Frankie and Johnny: Race Gender and the Work of African American Folklore in 1930s America the Work of African American Folklore in 1930s book-frankie-and-johnny-race-gender-and-work-african-american
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